Drawings, Galerie d’Eendt, Amsterdam, September 6–Octobner 13, 1996. Gwangju Biennale, Gwangju Biennale Exhibition Hall and Asia Culture Center, Korea, September 7–November 11, 2018. Pagel, David. Tokyo: Mori Arts Center Museum Shop, 2011. Light. Nara, Yoshitomo. “Best New Museums.” GQ, March 2007: 178. “Reflections in a Chinese Mirror.” Art in America, (May 2007): 74–78. The Most Requested Top 30: 10 Years of Takahashi Collection, Tabloid Gallery, Tokyo, February 18–May 14, 2011. “Yoshitomo Nara: Kids, Dogs and Knives on Canvas (interview).” Giant Robot 20 (2000). Sotheby's concluded that the work represented the "saccharine sweetness of Nara's figurative lexicon [that] enacts a language undeniably redolent of Pop, anime, cartoon, and manga - one whose extraordinary emotive power endorses "the paradoxical strength of 'minor art', including 'kitsch' imagery's ability to express the emotions of contemporary people". Generous support is provided by Rochelle and Irving Azoff, Andre Sakhai, Sally and Ralph Tawil, and. Yoshitomo Nara: Drawings: 1988–2018, Last 30 Years, Kaikai Kiki Gallery, Tokyo, February 9–March 8, 2018. Houston: Contemporary Arts Museum, 2003. Akita, Japan: The Akita Museum of Modern Art, 2003. Rather, I kind of see the children among other, bigger, bad people all around them, who are holding bigger knives". The 20th Century. Cotter, Holland. “Empty World.” Yomiuri Shimbun (Kyushu), 15 February 1996. Drawing Show, Galerie d’Eendt, Amsterdam, February 14–March 16, 1997. “Art Basel Begins.” Art in America, 11 June 2009. Corte Madera, California: Gingko Press, 2003. Sleek 5 (2004). “Yoshitomo Nara – New Ceramic Works” (Pace Gallery exhibition review). Yoshitomo Nara: The Complete Works. This Is a Time of…S.M.L. Nagoya and Tokyo: Galerie Humanité, 1993. Expected: Cool Japan, Museum Volkenkunde, Leiden, The Netherlands, April 14–September 17, 2017. Yoshitomo Nara: Shallow Puddles (exhibition catalogue). The book, like his White Dog sculptures, also functions as reminder to adults of what it is to view the world from a child's perspective. “Special Feature: Yoshitomo Nara.” Bijutsu Techo, July 2000: 90–91. Besher, Kara. Café in Mito 2011: Relationships in Color, Contemporary Art Gallery, Art Tower Mito, Ibaraki, July 30–October 16, 2011. Pop Heart e Generazione MTV (exhibition catalogue). Art is Fun 10: Angelic, Devilish, or Both, Hara Museum ARC, Shibukawa, Japan, July 3–September 26, 1999. Nishihara, Min. Hop, Stamp, Hanga! Immortal Present: Art and East Asia, Berkshire Museum, Pittsfield, Massachusetts, May 23–September 7, 2015. Nara, Yoshitomo. Happy Mother. Somebody Whispers in Nuremberg, Institut für moderne Kunst in der SchmidtBank-Galerie, Nuremberg, June 11–August 20, 1999. Saitama-shi: Saitama Kenritsu Kindai Bijutsukan, 2005. 26 (January 1999). “Japanese artist Yoshitomo Nara ‘a control freak’ but he ‘gave me complete freedome’, says author of book on his career.” South China Morning Post, 14 June 2020. https://www.scmp.com/lifestyle/arts-culture/article/3088765/japanese-artist-yoshitomo-nara-control-freak-he-gave-me, “Yoshitomo Nara Paints What He Hears” (Los Angeles County Museum of Art exhibition preview). (Catalogue), Christmas for Sleeping Children, Itoki Crystal Hall, Osaka, 1994. Teruhisa Kitahara Art Collection (exhibition catalogue). Nara has been influenced by popular culture in both Eastern and Western society. Lonesome Puppy, Tomio Koyama Gallery, Tokyo and Gallery Hakutosha, Nagoya, December 24–29, 1996. Superflat.” Entertainment Today, 23–29 march 2001: 6. (Catalogue). (Catalogue). Traveled to: Musée d’Art Moderne Grand-Duc Jean, Mudam, Luxembourg, July 5–October 12, 2014; Kunsthaus Graz in Austria, November 15, 2014–March 15, 2015. Art & Object, 16 July 2020. https://www.artandobject.com/news/3-must-see-gallery-pop-ups-hamptons, Leung, Gabrielle. Tokyo Gallery + BTAP: 1950–2010. Wonder Room, Space to Space, Nagoya, Aichi, 1984. Tokyo: Kodansha, 2013. “Yoshitomo Nara to Hold Solo Show at London’s Dairy Art Center” (exhibition preview). Splat, Boom, Pow! In keeping with this "Punk" attitude, Nara said of his earlier approach to painting that he would "have an image that I wanted to create, and I would just do it. (Catalogue). “Yoshitomo Nara’s Box Set” (Asia Society exhibition preview). Nakamura, Eric. (Brochure). Weiche Brüche, Japan, Kunstraum Insbruck, Austria, June 29–September 28, 2002. Corrigan, Susan. “Cool Japan: Yoshitomo Nara—The Drive to Create.” Japan +: Asia-Pacific Perspectives 4, September 2006: 40–45. Wonderland: Japanese Contemporary Art (exhibition catalogue). Weekend HK, 27 March 2015: 34, illustrated. Text by Paul Gravett. “Yoshitomo Nara.” Interview with Aimee Lin. Harmlos, Galerie im Kinderspielhaus, Düsseldorf, January 25–February 21, 1991. Tsuchizaki, Masahiko. Harvey, Doug. (Catalogue), One Heart, One World: International Exhibition of the Heart, United Nations Public Lobby, New York, April 5–25, 2000. “Yoshitomo Nara.” In Phoenix, Woodrow. Hong Komg: Asia Society Hong Kong Center, 2016. Matsui, Midori. Innocent Being (exhibition leaflet). “Yoshitomo Nara: I don’t mind, if you forget me.” Metropolis, October 2001. Art Bahrain (Spring/Summer 2015): cover, 2–9, illustrated. (Catalogue). Meneguzzo, Marco. Raverty, Dennis. Nara, Yoshitomo. Zijlmans, Kitty. Yoshitomo Nara: Will the Circle Be Unbroken, Daikanyama Hillside Plaza, Tokyo, September 29–October 1, 2017. Tokyo: Nanjo and Associates, 2003. Kiss Kiss, c/o Atle Gerhardsen, Berlin, November 24, 2005–January 28, 2006. Yoshitomo Nara (exhibition catalogue). How to Enjoy the Modern Art, Together with Dick Bruna, Musée Bernard Buffet, Mishima, Shizuoka, 2007. “Angry Kids Swear and Light Up in Yoshitomo Nara’s Latest Exhibition at Blum and Poe” (exhibition review). Texts by Markus Neuwirth and Elisabeth Thoman-Oberhofer. Humanistic Return, The Spiritual Origin of Ceramic Art, Taiwan Ceramics Bienniale, Taipei City Yingge Ceramics Museum, 3F Gallery, September 7, 2018–March 3, 2019. About ten years ago, however, I became more interested in expressing complex feelings in a more complex way". “Neuro Transmitter – Galerie: Pop-Art voil hintrgrindiger Geheimnisse.” Neuro Transmitter 38 (1998): 70. In the Deepest Puddle / Nothing Gets Me Down (exhibition leaflet). Yoshitomo Nara, Institute of Visual Arts, University of Wisconsin, Milwaukee, September 11–November 22, 1998. Tokyo: The University Art Museum, Tokyo National University of the Arts, 2001. Templado, Loui. Nakamura, Eric. Nara Yoshitomo Curates the MOMAT Collection, The National Museum of Modern Art, Tokyo, May 24–November 13, 2016. “Consumed.” Art Review (September 2008): 48. Miyagi, Japan: the Miyagi Museum of Art, 1996. This editioned print features some of Nara's most popular motifs - the heads of three girls, a dog, and several stars - set against a blank turquoise background. (Catalogue), From the Collections of Aomori Museum of Art, Hachinohe City Museum of Art, Hachinohe, Aomori, 1998. Nuremberg: Institut für moderne Kunst in der SchmidtBank-Galerie, 1999. In the Deepest Puddle, SCAI The Bathhouse, Tokyo, March 10–April 4, 1995. Laing, Jennifer. Text by Eriko Osaka. Featuring album covers Nara began collecting as an adolescent, paintings, drawings, sculpture, ceramics, an installation that recreates his drawing studio, and never-before-exhibited idea sketches that reflect the artist’s empathic eye, this exhibition shines a light on Nara’s conceptual process. “Self-portrait with Broken Hear” (Asia Society exhibition review). Walk on the Wild Side: At the Heart of the Carmignac Collection. Des Moines, Iowa: Des Moines Art Center, 1999. (Catalogue). “Exhibitions: Yoshitomo Nara + graf, A–Z Project.” The Guide UK 14 August 2008: 37. Kamiya, Yukie. Whitewall, no. “The Murakami Method.” The New York Times Magazine, 3 april 2005: 48–57, 64, 76, 79. (Catalogue), Cup Kids, Museum of Contemporary Art, Nagoya, Aichi, 1995. Life is Only One: Yoshitomo Nara, Asia Society, Hong Kong, March 6–July 26, 2015. Japan Times, 20 July 2012. http://www.japantimes.co.jp/culture/2012/07/20/arts/yoshitomo-nara-puts-the-heart-back-in-art/#.Ub95VPnvtPN. Still bearing the style he had developed throughout his oeuvre, this later work marked a thoughtfulness and pathos that seemed to reflect on themes such as impermanence, temporality, beauty, and the present. “Pop Go the Usual Boundaries.” Los Angeles Times, 14 January 2001: 4. “Artists Struggle to Capture Tsunami’s Scale.” Modern Painters (19 December 2005). Little Boy: the Arts of Japan’s Exploding Subculture (exhibition catalogue). (Catalogue). Bousteau, Fabrice. Art/Domestic: Temperature of the Time, Setagaya Museum of Art, Tokyo, February 11–March 22, 1999. “Sub-Culture is Super-Culture: The Lines He Makes.” Hanatsubaki, February 1999. “Yoshitomo Nara Exhibit Surveys His Unique Brand of Kute Kulture In New York (Pace Gallery exhibition review). Traveled to K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, March 12–May 29, 2005. Traveled to: Walker Art Center, Minneapolis, July 15–October 14, 2001; Henry Art Gallery, University of Washington, Seattle, November 10, 2001–March 3, 2002. Mundy, Michelle. Crayon on paper, signed and dated (2010) verso. Harvest ’93, Galerie d’Eendt, Amsterdam, June 2–7, 1993. (Catalogue). Comic Release: Negotiating Identity for a New Generation (exhibition catalogue). Carte Blanche, Pace at Chesa Büsin, Zuoz, Switzerland, February 20–March 30, 2014. ‘50s–‘00s Pos Art Show (exhibition catalogue). New York: Pace Gallery, 2012. Artist Magazine, no. (Catalogue), Stages: Lance Armstrong Foundation Global Art Exhibition to Raise Funds and Awareness in the Fight Against Cancer, Galerie Emmanuel Perrotin, Paris, July 17–August 8, 2009.
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