The reader can glean from Bruno that stability and society are only constructs. Read the Study Guide for Strangers on a Train (1951 Film)…, Distractions and Suspense in 'Strangers on a Train': Analysis of a Scene, View Wikipedia Entries for Strangers on a Train (1951 Film)…. Découvrez comment nous utilisons vos informations dans notre Politique relative à la vie privée et notre Politique relative aux cookies. Up-and-coming architect, Guy Haines, is traveling to Texas to obtain a divorce from Miriam, pregnant with another man’s child. Hitchcock loved to present the theme of darkness and light within the same person and at first glance it would seem that Guy is the "good guy" in the movie, and Bruno the bad. Bruno embodies Guy's dark desire to kill Miriam, a "real-life incarnation of Guy's wish-fulfillment fantasy". Pages: 3 Words: 732 Views: 355. The two men share the same dark longing for the death of a thorn in their respective sides; Guy wants Miriam murdered just as much as Bruno wants his father killed, even though the plan stems from Bruno's imagination and not Guy's. The two characters Guy and Bruno can be viewed as doppelgängers. Murder by strangulation emphasizes the sadistic and evil nature of Bruno. The antagonist is the opposite in many ways of the protagonist, and many shots and scenes are intended to … Here we encounter Guy Haines and Charles Anthony Bruno, passengers on the same train. "Strangers on a Train (1951 Film) Themes". A major theme of Strangers on a Train is nature versus nurture. Hitchcock made many great films in his career, especially in the 1950s. As discussed in the analysis of Chapters 4-8, the symbolic train also has a dual function in … We have creation myths, fall and flood myths, metamorphose and dying-god myths.”—Northrop Frye (19121991). The character of Bruno, which is comprised of base desires and instincts, is presented as evil, and lends evidence to the argument that the natural state of man is violent in composition. Eventually, both of his problems, the gun and Bruno, go to die there. Strangers on a Train (1951 Film) essays are academic essays for citation. The ocean is a key symbol of cleansing. Read more about this topic: Strangers On A Train (film), “In economics, we borrowed from the Bourbons; in foreign policy, we drew on themes fashioned by the nomad warriors of the Eurasian steppes. Vous pouvez modifier vos choix à tout moment dans vos paramètres de vie privée. Bruno gives Guy a black Luger, but it is left behind during the murder because Guy uses his own small, pearlized revolver. Talking about the structure of the film, Hitchcock said to Truffaut, "Isn't it a fascinating design? The purpose of this is to remind the audience of the two men doing different things, in different places, at the same time, but in a coordinated attempt at seeming independent they only serve to remind us that they are working in tandem with each other. Patricia Highsmith's novel "Strangers on a Train" has commentary to add to the debate on human nature. Book: Strangers On A Train. However, in Strangers on a Train, Hitchcock explores the theme of psychological, rather than physical, doppelgangers in his two main characters, Guy Haines and Bruno Anthony. Hitchcock was fastidious about the theme of doubles in the movie and sets this in stone very early in the movie when pairs of objects are presented to the audience. After you claim a section you’ll have 24 hours to send in a draft. They are emotional mirrors of each other, although not mental ones, given that Bruno is a psychopath, but Guy is not. Cloudflare Ray ID: 5e41f1e15bfc2be9 However, when looked at again more closely, Bruno can be seen to be the darker side of Guy's character and he also explains the duality of character that make Guy appear to be the perfect, all-American preppy boy next door, whilst simultaneously helping to facilitate the brutal murder of his wife because she will not give him a divorce. Strangers On A Train Themes. Guy and Bruno are reflections of each other. When Bruno murders Miriam, he is consciously aware and feels the struggle he is putting her through. Access Full Document . Violence within the novel differs between Guy and Bruno. Bruno attempts to convince Guy that anyone can commit a murder, that no man is incapable of it. What distinguishes Strangers on a Train from similar films, even within Hitchcock’s own canon, is the fascinating idea at the center of it–the motif of doubles, the inner battle of good and evil in all human beings–as well as impressive technical virtuosity we grew accustomed to when talking about the works of the British highly commercial artist. • everything you need to sharpen your knowledge of Strangers on a Train. The beauty of the revolver symbolizes the disguised darkness that Guy has for murder. Performance & security by Cloudflare, Please complete the security check to access. More than any of his other movies, Hitchcock made Strangers on a Train about parallels. STRANGERS ON A TRAIN features the running theme of doubles and mirrored opposites. Though they might be strangers on a train, they become linked together through this murder plot. However, in Strangers on a Train, Hitchcock explores the theme of psychological, rather than physical, doppelgangers in his two main characters, Guy Haines and Bruno Anthony. Your IP: 188.8.131.52 Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock 's favorite theme of the evil that lurks just below the surface of everyday life and ordinary men. This Study Guide consists of approximately 27 pages of chapter summaries, quotes, character analysis, themes, and more - Please Sign Up to get full document. Murder by strangulation emphasizes the sadistic and evil nature of Bruno. Please Sign Up to get full document. The pair has what writer Peter Dellolio refers to as a "dark symbiosis." These papers were written primarily by students and provide critical analysis of Strangers on a Train (1951 Film), directed by Alfred Hitchcock. Not affiliated with Harvard College. We are thankful for their contributions and encourage you to make your own. Strangers on a Train (1951 Film) study guide contains a biography of director Alfred Hitchcock, literature essays, quiz questions, major themes, characters, and a full summary and analysis.
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