one false move movie review

Franklin gives a low-key, realistic feel to the criminals' travels, throwing in docudrama-style titles to show which towns they're driving through. Keep track of your favorite shows and movies, across all your devices. But the film was undoubtedly Thornton’s big break, and rightly so. [26 June 1992, p.G5], If everyone in One False Move keeps making mistakes, there are no false moves from the technicians or actors; the only flaw is the slight taint of convenience that attends the plotting of so many contemporary thrillers. ONE FALSE MOVE opens in suburban Los Angeles with the brutal murder of several family members and friends as part One False Move makes nary a misstep as it unfurls a seedy caper with hard-hitting action and sly humor, marking an arresting debut for director Carl Franklin. On the very short list of great movies about violent criminals, “One False Move” deserves a place of honor, beside such different kinds of films as “In Cold Blood,” “Henry: Portrait of a Serial Killer,” “Badlands,” “The Executioner's Song” and “At Close Range.” It is a great film - one of the best of the year - and announces the arrival of a gifted director, Carl Franklin. Perhaps it's a sign of the death of the hopes the promising film gives rise to, but then betrays. Sign up here. Reviewed in the United States on May 27, 2019. Here is a crime movie that lifts you up and carries you along in an ominously rising tide of tension, building to an emotional payoff of amazing power. Read full review Rated R ONE FALSE MOVE was filmed on a relatively small budget, but every cent spent is on the screen, and every cent on the screen was well-spent. Three people are involved: two men who have teamed up to steal drugs and money, and the girlfriend of one of them. A small town sheriff prepares to to apprehend a trio of criminals heading his way. |, April 23, 2018 Please reference “Error Code 2121” when contacting customer service. In this film ably directed by Carl Franklin, who has spent most of his adulthood as an actor, there are more than a few tense scenes. It is a powerful directing job. Suffice to say that Franklin delivers both an expertly accomplished thriller, with a taut, believable script and several almost unbearably tense set pieces, and a compelling, nuanced personal drama. Franklin seizes the opportunity to make a film that tightly binds up any political concerns it may have into the plot. Their history from the time before she left town has had lasting consequences – and is about to come back to haunt him... To say more would be to give away too much. Director: Carl Franklin. The way the destinies of four people converge in a small Arkansas town in One False Move is nothing short of wondrous. The image is an example of a ticket confirmation email that AMC sent you when you purchased your ticket. [7 May 1992], One False Move is by no means a "big" film. |, September 21, 2020 Tweet. We won’t be able to verify your ticket today, but it’s great to know for the future. The biggest difference between One False Move and most other action films is the sting in its violence. They're played by Billy Bob Thornton as a violent, insecure red-neck type; Cynda Williams as his lover, a black woman obviously deeply wounded in the past, and Michael Beach as the partner, a black man whose wire-rim glasses and impassive reserve conceal a capacity for sudden, cold violence. One False Move (1992) Cast: Bill Paxton, Billy Bob Thornton, Cynda Williams, Michael Beach, Jim Metzler, Earl Billings, Jimmy Bridges, Natalie Canerday. Here, a couple of big city cops meet up with the local sheriff. Think of the term ‘film noir’ and the image that probably springs to mind is a rain-washed street in moody black and white. The 25 Best Console Launch Games (Since 2000), Mixing moments of genuine terror with offbeat comedy, writers Tom Epperson and Thornton have created a script that jumps along wih the energy of "In Cold Blood.". [22 July 1992, p.4D], Unlike other recent films noirs -- ''The Grifters,'' for example, or ''After Dark, My Sweet,'' both of which were based on Thompson stories -- One False Move lacks style and wit, and doesn't explore its characters beyond their cheap, cruddy exteriors. All rights reserved. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. Everything about this movie -- the terse writing, the concise directing, the smart, unaffected acting -- is eminently satisfying. Movie Review: 'One False Move' Franklin has the most important gift a director can possess: Even within a thriller framework, he sees the humanity of everyone on screen, from a … They take everything, eliminate everyone who stands in their way, and flee the city. There isn't an iota of caricature, there isn't an affectation of "style," there isn't a false note sounded. For most of the way, One False Move is taut and sure-footed. It's so rare to find a film in which the events are driven by people, not by chases or special effects. But an act of mercy by Fantasia during the killing spree leaves a small boy as witness. Reviewed by: Jeff Robson. Working for the most part in straightforward style, director Carl Franklin achieves considerable suspense by pitting the frailties of each party against the other. This 10-digit number is your confirmation number. Fifty years ago, he’d have been played by John Garfield and Paxton has a similar talent for conveying a world of emotion with a look or a gesture. Just leave us a message here and we will work on getting you verified. Two detectives from the LAPD, who are already on the case, contact the town's sheriff, Dale Dixon (Bill Paxton), to alert him of the fugitives' presence in the area. Plus, everything you need to know about Season 3, 'I needed people that would listen to me, do what I say,' the evicted houseguest said, Including how to watch previous debates and town halls, NBC was met with criticism from celebrities for scheduling Trump's town hall opposite Biden's. This summer, however, it's a jewel. | Rating: 4/4 Coming Soon. The film’s also an astute and penetrating look at the still- prevalent attitudes to rural America’s black underclass. We need more filmmakers like him. Of particular note in "One False Move," which opens today at the Film Forum, are a tense, well-staged encounter between the runaways and a highway patrolman in a … Copyright © Fandango. And, yes, we actually do hear a whippoorwill cry. [17 July 1992, p.17], Director Carl Franklin has cranked up an unnervingly tight-triggered film. Even worse than this annoying contrivance is Fantasia's portentous speech about the cry of a whippoorwill. The movie was written by Billy Bob Thornton and Tom Epperson, who begin by telling one story - about three criminals on the run from Los Angeles to Arkansas - and end by telling two. There is so little stylization here -- so little gimmickry -- that when someone is shot or knifed, you feel it. For most of the way, One False Move is taut and sure-footed. Every character in this film, black and white, operates according to his or her own agenda. ONE FALSE MOVE was filmed on a relatively small budget, but every cent spent is on the screen, and every cent on the screen was well-spent. But his knowledge about the town goes very deep, and what he knows about the fugitives provides the key to the movie's last 30 minutes. Another scene sees him use the "n" word in front of the black cop. Please click the link below to receive your verification email. The film is not quite the masterpiece some have hailed, but it has a bluesy grip, subtle humour and more thought than the average thriller. In 1975, he won the Pulitzer Prize for distinguished criticism. In 1992, it served as a last beacon of a bygone era in film. The biggest difference between One False Move and most other action films is the sting in its violence. Emotionally complex thriller with riveting performances. By creating an account, you agree to the Privacy Policy Cinemark 8 people found this helpful. Directed by Carl Franklin, One False Move is a Southern-set film about three One False Move is a quintessential neo-noir film. | Top Critics (15) Starring: Bill Paxton, Cynda Williams, Billy Bob Thornton, Michael Beach, Jim Metzler, Earl Billings, Natalie Canerday, Robert Ginnaven, Robert Anthony Bell, Kevin Hunter, Phyllis Kirklin, Meredith 'Jeta' Donovan, Jimmy Bridges, Phyllis Sutton, Derrick Williams. Full Review. and to receive email from Rotten Tomatoes and Fandango. “One False Move” begins in Los Angeles with a series of brutal murders of people in the drug underworld. Its goals are admittedly modest, and that's the reason it works so well. Download the TV Guide app for iPhone, iPad and Android! and to receive email from Rotten Tomatoes and Fandango. This film is superior to many a mega-budgeted action extravaganza. © 2020 CBS Interactive Inc. All rights reserved. |, May 6, 2017 Forgot your password? Franklin no alecciona, muestra, a modo de thriller, las terribles consecuencias de la incursin de la violencia en la diaria tranquilidad de un pueblo en el que nunca pasa nada. And rarer still to find a story that subtly, insidiously gets us involved much more deeply than at first we realize, until at the end we're torn by what happens - by what has to happen. Skillfully performed and welcomely unpredictable, this low-budget crime film, made by actor turned director Carl Franklin, starts out as a herky-jerky exploitation piece, then turns into something better. Three drug dealers on the run are suspected to be heading towards Arkansas. Without any strident drum-beating, Franklin makes it clear that the end of official segregation hasn’t changed the separate status of Star City’s ‘Nigger Town’ – or the good old boys’ attitudes to its inhabitants. Verified reviews are considered more trustworthy by fellow moviegoers. |, May 6, 2013 The movie is about hidden American links — between city and country, cop and criminal, and the black and white subcultures of the rural South. Dixon turns out to be “a force of nature” – a reformed hell-raiser whose energies have been channelled into diligent if unorthodox policing. His straight-talking manner has a strong streak of casual racism in it and there’s a sense of egotism in his perception of himself as the white knight of the neighbourhood. Please enter your email address and we will email you a new password. Sidney Poitier’s 7 Most Memorable Performances, All Harry Potter Movies Ranked Worst to Best by Tomatometer. | Rating: 3.5/5 Best of 2018: Film Awards and Nominations, Music title data, credits, and images provided by, Movie title data, credits, and poster art provided by. One of the unique qualities of the screenplay, and his direction, is that this is a film where the principals are three black people and three white people, and yet the movie is not about black-white “relationships” in the dreary way of so many other recent movies, which are motivated either by idealistic bonhomie or the cliches of ethnic stereotypes.

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